Monday, 13 December 2010
Sunday, 12 December 2010
Tuesday, 7 December 2010
- Title sequence- too simple, white on black
- Framing- cut off faces
- Handheld- shaky/messy
- Focus- in and out (unintentional)
- Continuity error 2.41 180degrees and at 3.39
- Slow
- Costume?
- Good lighting
- Music worked
- Good range of angles
- Nice Colour
- Could not tell if the shakiness at the beginning was on purpose.
- Music was good
- Colour balance was good
- Day 4- the paste needs to be picked up
- The area where Max slept, the shoes and clothes do not need be to shot and the 2nd shot of him sleeping is not needed either
- Maybe with the titles for Day 1,2,3,4,5,6 maybe they could have be 1,2,5,10 or not even needed
- Good transition of night to day where Max runs off into the distance
- There was no music credits for Mike and Dave
- Nice edit
- Story is clear and it worked
- More tine in music, needed to be lifted a bit near the end
Sunday, 5 December 2010
Friday, 3 December 2010
- The Choices made in editing revolve around the idea of flexibility of viewpoint
- Editor can alter time.
- Most people don't speak in a constant monotone- they speed up or slow down, rhythm of a conversation back and forth.
- harmony: sound and vision simultaneously
- Counterpoint: 1 sound against another image usually for dramatic and emotional effect.
- Dissonance: counterpoint techniques typically used to exploit, highlight discrepancies of image sound.
- Sound trailing may work, instead of dissolving it.
- Elevator Pitch: we watched a clip from Moulin Rouge on pitching an idea to a customer to buy. Then we had to go off individually and do our own pitch on anything we liked and pitch it to the whole class.
- My product was a documentary on work experience for 16-25 year olds that would show on itv2 and be a 30 minute documentary based in my own home, showing people tips and ideas and an insight on how to use your work experience to your full advantage.
- My target audience would mainly be students and school pupils for educational, work experience purposes, to give them an idea of what is expected of them.
- I Intend to sell this by giving flyers out around universities as well as schools, to set up a website and a face book group, also to make a trailer to go onto the website giving an insight to what it is about.
- I would be running this with the help of my peers to give out flyers and give me opinions for my website.
- My competition is other documentary makers.
- My competitive advantages is being able to show techniques, to inspire people and to show real life footage of what goes on in a work experience environment.
Thursday, 2 December 2010
- Easily produced
- Cheap
- Storage
- Interactive Portfolio
- Allowing extra features- pictures
- Play back easy access
- Distributed
- Rundance Footage
- Alley Cafe Footage
- Documentary from Visual Essay
- Feel: Trailer
- Malac Footage
- Documentary of my work experience with The-Mill maybe?
- Documentary we do next term for a project
Monday, 29 November 2010
Thursday, 25 November 2010
So today I receieved feedback from Deborah and I will be working harder on this for another draft for next tuesday.
The Mill: Work Experience
Jonathan Hearn kindly emailed me back about all my questions relating to the Mill when he did work experience and has given me loads of tips, which makes me feel a lot more confident for January and when I meet them on 13th Decemeber.
Feel
Today all are group meet up and started to discuss the edit, sound and I was starting to look at various competitions to enter our short film into, I have looked at the Bridport Prize, The London Independant Film Festival Screenplay Competition, The National Film Challenge and the Bang Short Film Festival however with this one I wont be able to put the film in till April but thats fine as I will remember!
Wednesday, 24 November 2010
Monday, 15 November 2010
Sunday, 14 November 2010
Saturday, 13 November 2010
Pizza Project
- Rich is wanting myself and Vyte to take some footage in the Ali Cafe of how they make there pizzas.
- He is wanting something ranging from 2-3 minutes long
- Sound is not needed
- He would like a normal and compressed version of our footage we take
- Myself and Vyte went along with Rich after the meeting to see what Ali Cafe is all about and to get an understanding and flavour about it, we found it was a very nice cafe, quite hidden, i do not think many people know of it.
- Myself and Vyte plan to start this project next term as we only have 4 weeks left of this and have 2 other projects on at the moment, Rich is not too concerned about a certain deadline but we d like to think about February.
- We met the manager of the Ali cafe and he seemed really nice and he explained to us that he has quite a few bands that play here, so me and Vyte were thinking next term we d try go with a camera on a night where a band is playing to make it more interesting.
- I was a bit disappointed when Rich explained the footage is only going to appear on the website but its all experience!
- We will need to do RECCE FORM AND RISK ASSESSMENT!
- Do some research after the shoot and before the edit about post production shot.
- After effects- software or motion
- Camera Assistant Job: to ensure whether gells are being used, to know if its a day or night shot to be consistent with lighting.
- Lighting Continuity: need to stay constant
- Continuity of eye-lines: ensure that you make eye-lines match when shooting a scene.
- Covering the action, shot sizes: maintain composition move the camera to follow the mini action
- Record cutaways & inserts: focus, depth of field
- Don't cross the line: Honour the don't cross the line
- Always start & end with a still shot: Allow still shot easier to edit afterwards- leave the frame rather than constantly following it.
- Record Atmosphere tracks: 1 minutes silence.
- Wow tracks: important, add that extra bit of sound.
- Record wild tracks: of action off screen- record straight after-scene.
- Record time-code: help editor to keep track of shots: label your edit, shots.
- Editor: how to manage the films
- Also just because you get something free i.e a piece of music always Credit where you got it from!
Tuesday, 9 November 2010
- 1877 was when the first sound recording happened
- We still record into waves today which is un-compressed, waves have been going on for a long time and are still effect to use today.
- I felt I did not find this lecture that interesting, some parts were good but found it not very exciting.
Monday, 8 November 2010
- What is acting: when you portray yourself as someone your not, when you change your character's personality, for a certain role capture a recording, an entertainer, a form of visual art, ability to bring script to life, pretending something is real, recreating human behaviour.
- Acting is the natural process of hearing, thinking and responding in the unnatural environment of knowing what you are going to hear, knowing what you are going to think and knowing how you are going to respond.
- Three Requisites:
- Relaxation- the ability to react quickly and reduce tension
- Concentration: The ability to shut out all distractions
- Recall: the ability to recall experience in detail.
- Beats: are a moment of decisive realisation for any character.
- First step characterising the beats: gives each beat and each dramatic unit a purpose.
- Improvising an interior monologue: have the acts improvise their characters inner monologue.
- Some actors do a scene from memory: use tags as dialogue.
- Rehearsal: develop the cast and relationships, focus the thematic purpose, encourage actors to develop their character.
- Rehearsal is not performance but to get ideas that will work in front of the camera.
- 10 point plan:
- 1. Ideas of what film is about.
- 2. What is means to you personally.
- 3. Each scenes, facts, images and question it raises.
- 4. What the scene is about, how it fits the story graph of the script.
- 5. Possible character objectives and imagination back-story adjustments.
- 6. Beats of the scene, its characterisation and action verbs ideas of how you might work on the beat.
- 7. The Scenes reality and environment.
- 8. Research you have done and research you have left to do.
- 9. Your plan of what you wish to accomplish.
- 10. A blocking diagram (which means you are psychologically prepares to throw away your story board).
- Shooting Script Rehearsal: do not expect your actors to have learnt the lines, you provide the stage direction.
- Characterisation Exercises:
- Inner Monologue
- Tag lines
- Moral Positioning
- Back-Story development.
- If rehearsal is on your shooting day, set the crew off technically, this is where story-board, shot lists, mise-en-scene can pay off, sit with the actors, read lines, find some simple movements and objects, look for false moments and solve them.
- Discuss what the characters objective is for that scene- add stuff slowly in layers and beats, be wary of giving too much back-story all at once, when finishing one beat- deal with the next one in isolation and remember action verbs and images.
- Be aware of the value of bringing objects to rehearsal and be very aware of introducing it to the scene.
- Rehearsals should end with questions, with things for the actors to work on.
- The more expensive a microphone is the better quality it will have: never buy a cheap microphone.
- Dynamic- condenser- Electret condenser: a low-mass moving coil transducer, high sensitivity, rugged construction.
- cardioid
- Supercardiod: More Directional
- Hypercardioid
- Music from right and left: coincident cardioid
- Proposal: "Offer or bid to do a certain project for someone".
- Communicate Ideas
- Direction & Feel
- Likely success of the project
- Attract Funders
- Need to know details- not just about money
- Pre Production then Production then Post Production
- Apparently Channel 4 have promised to be innovative broadcaster
- You need a clear schedule
- Stylistic Info ( Treatment)
- Technical Specifications
- Talent
- Length
- Schedule
- Budget (depending on commission)
- Where will I post our film once its complete- COMPETITIONS?
- Must be 6 minutes and no longer or shorter
- Drama Treatment: More descriptive
- If the proposal is accepted then it becomes the initial agreement
- www.writingtreatments.com, this website its very handy it explains what a treatment is, how to write a treatment and why you need one.
- Production designer: making the visible invisible: a production designer's job is to turn real spaces into cinematic spaces of the imagination.
- The Art department: Production designer, Art Director, Prop makers and set construction, Technical artist, Art department assistants, Set dresser, Storyboard artist and Continuity sometimes.
- Models give a 3D representation of the set, creating storyboards, shooting methodology
- Methodology is a set or system of methods, principles, and rules for regulating a given discipline, as in the arts or sciences.
- Dr Strangelove: Sir Ken Adam- Production design- Doctor Strangelove- War Room, this picture "creates frames on the screen that comply with the time honoured rule of thirds" as the camera glides around the room the vertical and horizontal zones frame content perfectly according to aesthetics or its principles, in a aesthetics manner.
- Also the hotel set where General Turgidson and Miss Scott establish their relationship had two mirrored walls, facing each other which creates a sense of depth, also the costumes there wearing are patterned giving another visual layer and finally the low ceiling and use of practical lighting helps to give an sense of architectural form, this set allows the audience to focus on the couple.
- I looked up Pans Lavyrinth on google and did not realise they recieved 3 academy awards for best cinematography, best art direction and best makeup which is amazing, this is about the fascist Spain of 1944, the bookish young stepdaughter of a sadistic army officer escapes into an eerie but captivating fantasy world.
- Multimedia is issued in libraries, museums, security systems, cable TV, schools, retailers, films, training and video conferencing.
- You can offer a range of skills- you don't have to be just an animator or just a wed designer.
- Look at local press, directories and vacancy websites.
- Local organisations of all kinds have websites and use multimedia, they don;t have to be multimedia organisations as such.
- www.ntu.ac.uk/careers
- www.propects.ac.uk (based in Manchester)
- www.skillset.org
- www.e-skilss.com
- www.bcsrecruit.com
- www.ukwda.co.uk
- Peter mentioned on your CV do not write Curriculum Vitae as they know what it is, its stating the obvious.
- To have a professional email address.
- How to layout your CV: Education and qualifications, Technical Skills: photoshop etc, Employment and work experience
- Most CV's are one page but if no one mentions how long it is do 2.
- Additional Skills- driving?
- Interests and Achievements: do not put socialising with friends (organised)
- References
- Covering Letter which is more important to have if its not for a specific job, to say what the letter is about and to send to a named person is possible.
- What I have to offer?
- Why you are applying?
- Do not be blunt, if you mention you have good communication skills what does that mean?
- We did our proposal on the 4th and it went quite well, we have decided on a location being Harvey Hadden Athletic Stadium, we are having to pay £51.70 as a group so its not too much but its a brilliant location so it worth the £7.31 each.
- Treatment: A subtle and compelling love story; set in a sterotypical competitive environment. A former athletics coach is drawn back into coaching, when inspired by a talented homeless athlete. The homeless guy is given the chance of release from his unfortunate surroundings, when an opportunity arises for him to flourish in a hidden passion.
- We have been given two actors called Tony Claassen and Joanna Wells
- I have made a very organised schedule: where on the Tuesday 9th November we are planning to have a draft of:
- sound to be in place
- storyboard draft
- risk assessment and recce forms to be completed so that equipment can be taken out the following monday 15th November
- props to be in place
- By Thursday 11th November to have everything ready for Monday 15th
- Monday 15th equipment is booked for 4.30 and we must return by 12.30 Wednesday 17th.
- Monday 15th November 1-4: will be meeting the actors
- Tuesday 16th November 10-5: filming
- Roles:
- Ben King: Director and Location Manager
- Myself: Producer, camera assistant and photographer
- Thomas Pierrepont: Camera
- David Cassey: Sound assistant and post production music/effects and lighting
- Laura Read: Editor, runner and health and safety representative
- Mike Wilson: Sound recording and props
- Alex Lea-Hayes: Production assistant, locations assistant and titles designer, post production visual effects.
1.EXT. ATHLETICS TRACK. DAY 1 Max watches intently as others train
2.EXT. ATHLETICS TRACK. DAY 2
MAX attempts to imitate others at the track. Copy’s others stretching. Mirrors athlete rehearsing his starting block position
3.EXT. ATHLETICS TRACK. DAY 3 Max runs round the track Elaine watches and then approaches
ELAINE Your quite an athlete. Whats your
name? Max doesnt’t respond and looks uncomfortable
ELAINE Look, I used to be a coach, I don’t
really do it anymore. Would you be interested in letting me coach you?
Max doesn’t respond again,
ELAINE Ok, Look I’ll be here at 8am
tomorrow. If you want come along and I’ll coach you.
Max doesn’t respond Elaine walks away
4.EXT. ATHLETICS TRACK.
ELAINE arrives at the track MAX waiting in exactly the spot Elaine said.
5.EXT. MUDDY FIELD. MAX is on all fours face down in the mud ELAINE stands over him and assertively orders
ELAINE Get up. Get up now. Do champions
lie in the dirt? Champions need to get up. Get up. Get up. Get up.6 EXT. BACK OF STAND. Max snuggles up in sleeping bag and smiles
7 EXT. MUDDY FIELD. DAY 3
Max is doing an aerobic circuit. He repeats this action until exhaustion makes it impossible. Elaine stands observing his every movement.
8 EXT. ATHLETICS TRACK. DAY 4
Max lies face down in the mud. His eyes are twitching, Elaine is screaming at him we cannot hear a word.
ELAINE Without feeling this cannot be won.
You are supposed to feel it
9 INT. CHANGING ROOMS. DAY 4
Max is washing himself at the sink. Another athlete walks in and stands alongside.
OTHER ATHLETE (Heavy sigh) I feel like i live
here sometimes
10 EXT. ATHLETICS TRACK. DAY 5
Elaine grips the stopwatch. She doesn’t take her eyes off the Second hand’s inevitable progress Max is running down the final straight. The strain of his effort really telling
(vo)
MAX
Elaine looks down at the stopwatch amazed as Max crosses the line.
ELAINE Again, Do another lap
Max Smiles and without a second thought he sets off again.
As Max crosses the line again Elaine stands mesmerized by the stopwatch.
2.
11 EXT. ATHLETICS TRACK. DAY 7 Elaine arrives at the stadium with two cups of coffee
ELAINE Here you go champ
Max runs. Elaine follows on a bike. Pedalling slowly a few feet behind
ELAINE I want this for you. I want this
for you. Run with the wolves. Go shoot the bear. Hunt like a hound
(vo) Max accelerates away from Elaine
12 INT. CHANGING ROOM. DAY Elaine strokes Max’s hair. Max lies prone on the bench
MAX
Max ELAINE turns to look at MAX
MAX Max is my name
ELAINE smiles, they both return to their original position